返鄉

by Carolyn Kleiner Butler

The minutes crept by like hours，” she recalls， and then， all at once， the car door opened. “I just wanted to get to Dad as fast as I could，” Lorrie says. She tore down the runway toward him with open arms， her spirits—and feet—flying. Her mother， Loretta， and three younger 1）siblings—Robert， Roger and Cindy—were only steps behind. “We didnt know if he would ever come home，” Lorrie says. “That moment was all our prayers answered， all our wishes come true.”

2）Associated Press photographer Slava Veder， whod been standing in a crowded bullpen with dozens of other journalists， noticed the 3）sprinting family and started taking pictures. “You could feel the energy and the raw emotion in the air，” says Veder， then 46， who had spent much of the Vietnam era covering antiwar demonstrations in San Francisco and 4）Berkeley. The day was overcast， meaning no shadows and near-perfect light.He rushed to a 5）makeshift darkroom in a ladies bathroom on the base （6）United Press International had commandeered the mens）. In less than half an hour， Veder and his AP colleague Walt Zeboski had developed six remarkable images of that singular moment. Veders pick， which he instantly titled Burst of Joy， was sent out over the newsservice wires， published in newspapers around the nation and went on to win a Pulitzer Prize in 1974.

It remains the 7）quintessential homecoming photograph of the time. Stirm， 39， who had endured gunshot wounds， torture， illness， starvation and despair in North Vietnamese prison camps， including the 8）infamous 9）Hanoi Hilton， is pictured in a crisp new uniform. Because his back is to the camera， as Veder points out， the officer seems anonymous， an everyman who represented not only the hundreds of 10）POWs released that spring but all the troops in Vietnam who would return home to the mothers， fathers， wives， daughters and sons theyd left behind. “Its a heros welcome for guys who werent always seen or treated as heroes，” says Donald Goldstein， a retired Air Force lieutenant colonel and 11）coauthor of The Vietnam War： The Stories and The Photographs. “After years of fighting a war we couldnt win， a war that tore us apart， it was finally over， and the country could start healing.”

But there was more to the story than was captured on film. Three days before Stirm landed at Travis Air Force Base， a 12）chaplain had handed him a 13）Dear John letter from his wife. “I cant help but feel 14）ambivalent about it，” Stirm says today of the photograph. “I was very pleased to see my children—I loved them all and still do， and I know they had a difficult time—but there was a lot to deal with.”

Lorrie says， “So much had happened—there was so much that my dad missed out on—and it took a while to let him back into our lives and accept his authority.”

Her parents were divorced within a year of his return. Her mother remarried in 1974 and lives in Texas with her husband. Stirm retired from the Air Force as a colonel in 1977 and worked as a corporate pilot and businessman. He married and was divorced again. Now 72 and retired， he lives in Foster City， California.

As for the rest of the family， Robert is a dentist in 15）Walnut Creek， California； he and his wife have four children， the oldest of whom is a marine. Roger， a major in the Air Force， lives outside 16）Seattle. Cindy， a waitress， resides in Walnut Creek with her husband and has a daughter in college. And Lorrie， now 47， is an executive administrator and mother of two sons. She lives in 17）Mountain View， California， with her husband. All four of Stirms children have a copy of Burst of Joy hanging in a place of honor on their walls. But he says he cant bring himself to display the picture.

Three decades after the Stirm reunion， the scene， having appeared in countless books， anthologies and exhibitions， remains part of the nations collective consciousness， often serving as an 18）uplifting postscript to Vietnam. That the moment was considerably more fraught than we first assumed makes it all the more 19）poignant and reminds us that not all war casualties occur on the battlefield.

Lorrie says， “Every time I look at the picture， I remember the families that werent reunited， and the ones that arent being reunited today—many， many families—and I think， Im one of the lucky ones.”

那幾分鐘慢得就好像幾個小時一樣，”她回憶道，然后，突然間，車門開了?！拔抑幌氡M快跑到爸爸身邊，”洛麗說。當時，她沿著跑道，張開雙臂，朝著父親沖了過去，她的心情——和腳步——都飛了起來。她的媽媽洛雷塔，還有三個弟妹——羅伯特、羅杰和辛迪——緊隨其后?！爸?，我們都不曉得他還能不能回來，”洛麗說?！澳且豢?，我們所有的祝禱都得到了回應，我們所有的愿望都得以實現?！?/p>

美聯社攝影記者斯拉瓦·韋德注意到了這個飛奔著團聚的家庭并開始拍照，當時他正與其他幾十個記者擠在采訪區里?！澳隳芨惺艿娇諝庵心枪赡芰颗c真情實感，”韋德說道，那時他46歲，越戰時期，他主要在舊金山和伯克利市報道反戰游行。那天是個陰天，沒有任何陰影，并且光線也近乎完美。

拍完照片，他立刻沖到了設在基地女廁所中的臨時暗房（美國合眾國際新聞社占用了男廁）。不到半小時，韋德和他美聯社的同事沃爾特·奇博斯基便洗出了定格那非凡時刻的六張出色照片。韋德選出一張，立馬將其命名為“迸發的喜悅”，發送給新聞社，美國全國各地的報紙上都刊登了這張照片。1974年，這張照片更獲得了普利策獎。

這張照片仍是那個年代壯士歸故里的經典照片。照片上穿著嶄新軍裝的斯特姆，時年39歲，在北越的戰俘營里，包括那臭名昭著的河內希爾頓戰俘營，受過槍傷、拷問，熬過疾病、饑餓和絕望。正如韋德所指出的，因為斯特姆背對鏡頭，所以這名軍官看似一個隱匿無名的普通人，不光代表著那年春天被釋放的數以百計的戰俘，也代表了即將從越南返家回到父母妻兒身邊的整支軍隊?！皩τ诓⒉粫r常被視作英雄及受到英雄禮遇的人來說，這是種對待英雄般的歡迎，” 唐納德·戈爾茨坦說道，他是一名退役的空軍中校以及《越南戰爭：故事與照片》一書的合著者?！斑@場我們打不贏的戰爭持續了好幾年，將我們艱難地分開，它終于結束了，國家也可以開始休養生息了?！?/p>

但是，除了被膠卷捕捉的那一幕，那個家庭還有著更多的故事。就在斯特姆于特拉維斯空軍基地著陸的三天前，牧師把他妻子寫給他的分手信交給了他?！拔也唤麑@次團聚感到矛盾，”現今的斯特姆談起那張照片時說道，“我很高興看到我的孩子們——我愛他們，如今也是，我也知道他們有過一段艱難的時光——但是有太多事要處理?！?/p>

洛麗說：“發生了太多太多事——父親錯過了太多的事情——讓父親重歸我們的生活并接納他成為一家之主需要花一段時間?！?img src="https://cimg.fx361.com/images/2018/07/08/qkimagesfkyyfkyy201312fkyy20131205-5-l.jpg"/>

洛麗的父親回來后不到一年她的父母便離婚了。她的母親于1974年再婚，并與其丈夫住在德克薩斯州。1977年，斯特姆以上校的身份從空軍退役并當起了私人飛行員和商人。他再婚后又再度離婚。如今他72歲，也已退休，住在加州福斯特市。

至于這個家庭的其他成員，羅伯特在加州的沃爾納特克里克市當牙醫；他和妻子育有四個孩子，年紀最大的一個是名海軍士兵。羅杰是位空軍少校，住在西雅圖市的郊區。辛迪是名服務生，與丈夫住在沃爾納特克里克市，并育有一女，正在讀大學。還有洛麗，現年47歲，是個行政總監及兩個兒子的母親。她與丈夫住在加州的芒廷維尤市。在斯特姆四個孩子家中，墻上顯眼的地方都掛著一幅《迸發的喜悅》。但斯特姆說他自己卻不敢掛這幅照片。

斯特姆一家相聚的三十年后，那一幕，曾無數次在書籍、選集以及展覽中出現，至今仍是美國集體記憶中的一部分，時常充當著越戰的一道振奮人心的注腳。但實際上那個瞬間比我們最初想象的要憂傷得多，這使得它尤顯凄美，同時提醒了我們：戰爭中的傷亡并非只是發生在戰場上。

洛麗說：“每每看著那張照片，我都會想起當時那些沒能團聚的家庭，還有當下那些不能團聚的家庭——太多太多家庭——我覺得，我是幸運的一個?！?/p>