搭乘春風歸來

一邁步，已經是新一年的草地與河流。

剛剛過去的2020年是多災多難的一年，全世界仿佛都被置于風雨飄搖之中，各門類藝術亦無一不受影響，時至今日，世界尚未完全走出陰霾。我們要面對的未來，是一個全新的后疫情時代。

大環境的改變已是大勢所趨，但至少其變化的方向和形式可以由藝術家把握——回望百年藝術發展、再現“史詩”之路、跨越空間交流藝術的未來、探討藝術的更多可能……除了環境使然，還有時代發展推動下的多元人性覺醒，“為什么沒有偉大的女性藝術家？”在琳達 ·諾克林不斷“追問”的回聲中，近兩年世界各大藝術機構愈發注重對女性藝術家的再發現與再評估，但“為了藝術的女性”，和“為了女性的藝術”，其中的藝術理念和對于實踐的理解，都有需要進一步挖掘的空間。如期召開的全國兩會上，代表委員們關于疫情防控常態化條件下，加強藝術交流的建議，讓人感受到藝術的新可能，無論如何，借此大變革之際遇，藝術或許可以被塑造出更多模樣。

寒冬難熬，但我們依然堅信“幸福是奮斗出來的”，風一吹，一切美好都將搭乘春風歸來。

One step forward, it embraces the grass and river of the New Year.

The passing 2020 was a year of turmoil, and the whole world seemed to be stalled in a precarious situation.All types of art are no exception.Until now, the world has not completely emerged from the haze.The future we have to embrace is a new post-epidemic era.

The change of the greater environment remains the general trend, however, at least the direction and form of the changes can be grasped by the artists--- Looking back at the centurylong development of art, reappearing the "epic" road, exchanging views of the future of art across spaces, and exploring more possibilities of art...In addition to the pressure of the environment, there may also be the awakening of multiple human natures driven by the development of the times, "Why are there no great female artists?" In the echo of Linda Nochlin's constant "questioning", the world's major art institutions have paid more and more attention to the rediscovery and re-evaluation of female artists in the past two years, but "women for art" and "art for women", among them, there is more space for further exploration of the artistic philosophy and understanding of practice.In any case, art may be able to be shaped more with this great opportunity of changes.

Cold winter is so tough, but we still firmly believe that "happiness stems from striving".As wind blows, all greatness shall return in the spring breeze.