榮麟別墅

荷蘭庫德斯塔爾

設計單位： 保羅·德·魯特建筑師事務所

建筑面積： 340平方米

項目年份： 2006年

Architects： Paul de Ruiter Architects

Area： 340 m?

Year： 2006

榮麟別墅的主人是一對熱衷于藝術收藏的夫婦。他們喜歡被藝術品包圍的感覺。因此他們對于新住宅的主要愿望就是能夠為他們的油畫和雕塑提供空間。然而，他們的住宅位于壯麗的Westeinderplas湖濱，因此沒有理由設計一個封閉的體量，設計大面積的實墻用來懸掛油畫，這樣會減少景觀面。面對Westeinderplas湖和花園的視野應該最大化。因此我們決定設計兩個對比強烈的體量，一個俯瞰湖景和花園的透明玻璃體量，以及一個“漂浮”在其上的藝術品收藏木質體量。

光的歸宿

地面層由一系列博物館式秩序空間組成，首層提供了Westein- derplas湖和周圍景觀的視野。全玻璃立面在空間之中的轉折都難以發現，360度全方位的透明視野以及超級懸挑結構讓自然光能夠直接進入室內。在室外，從玻璃立面的后面開始，就有一些可以拉起來的布簾，這些布簾不僅僅能夠屏蔽太陽能熱量，它們還創造了帶頂的陽臺。

空間利用

上面的木條包覆的實體空間有幾個開口。在這個房子的中央，有一個帶天窗的空間，四面設計有大窗戶。在這個超級結構的兩端是臥室，臥室能夠獲得周圍自然景觀的最好視野。設計師設計的太陽薄膜能夠屏蔽太陽光以及太陽能。薄膜由水平的木條組成，像格柵。它們由兩部分組成，沿中間可以折疊。油畫和雕塑可以在房子中央或者中庭之類展覽。中庭利用一層空間和上層空間以及天窗使得日光進入每一層。

The clients of villa R?ling are passionate art collectors. They love to be surrounded by works of art. Therefore their main wish regarding their new dwelling was that it would do greatest justice to their collection of paintings and sculptures. However， the location of their house， at the edge of the lake Westeinderplas， is so spendid that it was no option to make a closed volume which would have large wall surfaces for hanging on the paintings but would limit the view of the surroundings. The view of the lake and the garden should be maximal. Therefore we decided to design two contrasting volumes， a transparent glass volume overlooking the lake and the garden， and a ?floating? wooden box on top of it for the works of art.

Incidence of light

The ground floor consists of a series of museumlike ordened spaces， offering varying views of the lake and the surroundings. The overall glass facade folds itself almost invisibly around the spaces and creates a contour which together with the overhanging superstructure alllows for varying incidence of light. At the outside， back from the glass facade， there are cloths which can be pulled up. The cloths not only screen from solar heat， they create a covered and screened off terrace too.

Spatial unity

The wooden box on top has several big openings in it. In the centre of the house there is an empty space with a skylight and all four facades have a large window. At the two ends of the superstructure are the bedrooms with a maximal view of the surrounding nature. Sunblinds， developed by our own， screen from sunlight and solar heat. The sunblinds， made of horizontal slats， move like shutters. Because they consist of two parts with a bend in the middle， the shutters when opened raise like porches above the glass facade. The paintings and sculptures can be exhibited in the centre of the house around the empty space. The empty space unites spatially ground floor and top floor and the skylight allows daylight to enter both floors.